While box office returns in 2020 will suffer an estimated 80% global drop due to COVID-19, the Kingdom of Saudi Arabia is bucking this downward trend, having grown since 2019 to become the Middle East’s top grossing territory this year to date.
Fresh figures released during the recent META Cinema Forum exhibitors’ conference in October reveals that the Kingdom has overtaken the United Arab Emirates this year, and is currently the region’s top-grossing territory, with more than $73 million in theatrical movie ticket sales over the past 40 weeks – a roughly $2 million increase in box office returns compared with the same period in 2019.
The UAE during the same 2020 period has generated roughly $51 million, roughly a quarter of its 2019 box office draw.
Commenting on the growth of the theatrical market in KSA, Cameron Mitchell, CEO of VOX Cinemas says: “We believe that Saudi Arabia is the only cinema market globally to have expanded in 2020.”
Mitchell sees the Saudi market as having increased by roughly 4% year to date – despite the fact that, due to the pandemic, cinemas where closed between March and the middle of June – and is forecasting an 8% growth by year’s end.
The theatrical market in the Middle East in 2019 was worth $600 million, of which Saudi accounted for a $110 million share and the UAE roughly $250 million – which excludes releases of Indian and Arabic films and some indie content. “This year our numbers are telling us that the UAE is going to be worth about $60 million, and Saudi is going to be worth $120 million,” says Mitchell.
In terms of the bigger picture, Mitchell believes that Hollywood will value the Middle East at about $220 million in 2020 out of which KSA will contribute to 50% of the same this year.
David Hancock, an analyst at London-based Omdia says, “The fact that Saudi has now overtaken the UAE, albeit in a weird year, is suddenly a milestone for the Saudi Arabian cinema market.” Hancock expects the country will be a billion-dollar market “in 3 to 5 years,” depending on recovery from COVID-19 which he estimates this year will cause an 80% global box office drop, with losses totaling up to $30 billion. He also mentioned that KSA is on track to become the dominant market in the region “and one of the top 10 or 15 markets in the world.”
An interesting aspect of Saudi Arabia’s current box office upswing is that grosses in the country are currently generated from a mere 260 screens – less than half the 614 screens operating in the UAE. Average occupancy levels in cinemas across the Middle East have not gone beyond 20%, and Saudi is no exception. However, in terms of generating box office, KSA has the cushy advantage boasting of an average ticket priced at $17.60, which is the highest in the region followed by UAE figure which is $12.80, and Kuwait, the region’s third market, priced at $11.90.
Since cinemas re-opened in June, the biggest releases across the Middle East was Tenet, earning $1.1 and $1.5 Million in its opening weekend in UAE and KSA (figures from Box Office Mojo), followed by Mulan – which earned over $1.3 Million in its opening weekend in UAE. Unhinged starring Russel Crowe also performed handsomely in the region, though figures were not made readily available.
Meanwhile, screen growth in Saudi Arabia is going forward undeterred, with VOX presently operating 124 screens across 11 locations. Aside from VOX Cinemas, other cinema exhibitors operating in the Kingdom include Muvi Cinemas and AMC Cinemas who have 10 and 6 operational cinemas respectively, and are in the midst of massive expansion plans over the year ahead.
It’s also interesting to note that a number of new cinema locations opened across KSA, post the COVID-19 lockdown. VOX Cinemas opened three new locations – Sahara Mall, Tabuk Park and Al Jamea (Town Square), Muvi Cinemas massively expanded with the opening of six new locations – Jubail Mall, Al Ahsa Mall, Haifa Mall, Aziz Mall, Nakheel Mall (Riyadh) and Mall of Dhahran, and AMC Cinemas opened four new locations – Hafr Al Batin, Riyadh Gallery, Al Khair and Azizia Plaza.
VOX projects there will be a total of 340 screens in operation in the country by year’s end, and close to 700 by the end of 2021.
Having a market like Saudi Arabia can help Hollywood studios offset some of their losses, says Mitchell, who is worried that due to COVID-19, the supply chain is drying up. To overcome the challenge posed by the lack of new content, VOX is stepping up its offer of alternative content such as live soccer matches, opera and concerts, and also classic re-releases. VOX has also teamed up with local players Image Nation and MBC Group to produce a slate of Arabic films, at least three of which they plan to release in 2021 as part of a plan to release up to 10 Arabic self-produced titles annually.
Mitchell is confident the country will become a top ten global market for cinema, with ResearchAndMarkets.com forecasting the industry in the Kingdom will be worth more than $1.2 billion by the end of 2030.
Sources: Variety, Arabian Business, Arab News
With roughly 80 days to go for Christmas, we at Motivate Val Morgan look ahead to what’s in store on the BIG screen in the month of December, and why brands should plan to include cinema in their festive media campaigns.
From mystery thriller Death on the Nile – based on the 1973 novel by Agatha Christie and Wonder Woman 1984 – the ninth installment in the DC Extended Universe, December 2020 holds festive treats for both cinemagoers and advertisers.
It has been a difficult year for a majority of industries with the outbreak of the COVID-19 pandemic and its on-going coverage dominating the news.
For cinema, Q2 2020 started off with its closure, followed by a staggered reopening between June and September – with cinemas operating at 30-50% capacity, accompanied by the lack of new content. Then came the release of two highly anticipated blockbusters – Tenet and Mulan, closely following each other, that did rather well on the BIG screen in both UAE and Saudi Arabia:
Following this high note was the official announcement of Death on the Nile, Wonder Woman 1984, No Time to Die and Black Widow pushing its release dates to December 2020, April 2021 and May 2021 (respectively).
The good news for now is that Bollywood blockbuster Laxmmi Bomb – featuring Akshay Kumar, which premiers on 9 November 2020 on Disney Plus Hotstar, will also release across cinemas in Australia, New Zealand and UAE simultaneously, on 9 November 2020. Laxmmi Bomb is anticipated to give cinema another upward push at box office in the UAE.
Laxmmi Bomb Motion Poster Trailer:
For now, December has a treat in store for everyone – cinemagoers and advertisers, with a range of highly anticipated a-list and b-list blockbusters, expected to release on the BIG screen.
The month kicks off with a brand new action comedy adventure featuring Ryan Reynolds – Free Guy, a story about a bank teller who discovers that he’s actually an NPC inside a brutal open world video game, scheduled to release 10 December 2020.
Free Guy Trailer:
Next up is Death on the Nile by 20th Century Studios, scheduled to release on 17th December 2020 . The mystery thriller directed by Kenneth Branagh is based on the 1937 novel of the same name by Agatha Christie, and a follow-up to 2017’s Murder on the Orient Express, featuring a star studded cast which includes Gal Gadot, Kenneth Branagh, Tome Bateman, Russell Brand and Letitia Wright.
Death on the Nile Trailer:
Just in time for Christmas will be the release of the much anticipated DC blockbuster Wonder Woman 1984 by Warner Bros. – featuring Gal Gadot, Chris Pine and Kristen Wiig. The film was originally announced for release on 13 December 2019, before being moved up to 1 November 2019, then to 5 June 5 2020, followed by 2 October 2020, and now 24 December 2020. Fingers crossed we won’t have to wait any longer than December 2020.
Wonder Woman 1984 Trailer:
Please Note: release dates for the movies listed above are subject to change.
December being the month of festivity, is something we’re sure most are looking forward to. There’s no denying that come December, the pandemic might still be headlining the news. However, cinema has always been known for providing audiences with a space for escapism – a place to immerse themselves in a story, for a couple of hours, watching feel-good content. Given the hardships we have experienced this year, in some way or another, December holds optimism among cinemagoers, given the powerful movie line-up, and presents opportunities for advertisers to target audiences who are keen to flex their spending power during the festive month leading up to the new year.
Stay tuned for the latest updates on movies releasing on the BIG screen over the next couple of months. We’ve also recently launched an attractive ‘guaranteed views’ package. Contact us if interested in starting a discussion on cinema advertising opportunities alongside any of the above mentioned blockbusters in the month of December 2020.
Sources: Box office Mojo, NDTV, IMDb and YouTube
The cinema industry like most industries, has been massively impacted by the COVID-19 pandemic. However, with 48 per cent of the world’s cinema screens re-opened, the industry is presently looking to rebuild itself with the release of some MEGA blockbusters in Q3 and Q4 2020.
After several months of the lack of major movie releases in cinemas, we’ve got some exciting news: VOX Cinemas has announced the release dates of some hugely-anticipated new movies, coming to a big screen near you in the coming weeks.
In a break from tradition, Christopher Nolan’s sci-fi/thriller – Tenet, will hit screens in the Middle East on 27th August, ahead of the US. Based on movie ticket pre-bookings in the UAE, all shows for Tenet are booking out fast – that’s how eager audiences are for new blockbuster content!
September will feature Mulan – live-action adaptation of Disney’s classic animated film of the same name, releasing 4th September, and The King’s Man – the third instalment in Matthew Vaughan’s popular period spy franchise, releasing 17th September.
For October, there’s Wonder Woman 1984 – the DC sequel which continues the story of the Amazon warrior princess Diana, releasing 1st October, as well as Death on the Nile – a new adaptation of the Agatha Christie novel, releasing 22nd October.
Chief Executive Officer of Majid Al Futtaim Cinemas and Majid Al Futtaim Leisure and Entertainment, Cameron Mitchell said: “After several months of speculation and delays, I’m excited to announce that blockbusters are back at VOX Cinemas and unveil our impressive slate of must-see movies.”
Mitchell added: “There is a real pent-up demand for new releases and, with major tentpoles such as Tenet about to hit our theatres, we’re expecting a significant increase in box office sales.”
Advertisers, here’s your chance to advertise your brand alongside these MEGA Blockbusters. Click here to access our special offer for TENET, and contact us for more information on cinema advertising opportunities alongside the upcoming blockbusters.
Sources: Gulf Business, Gulf News, What’s On and VOX Cinemas
A feature on cinema post-pandemic by Jim Amos, as published on Celluloid Junkie.
It hasn’t been a pleasant two months for the movie industry, as moviegoing has been completely upended, along with the rest of the entertainment sector, by the coronavirus. With rare exception: Tenet, Mulan, Wonder Woman 1984, to name a few, most summer tentpoles have shifted to later in 2020 or early 2021 and there is lingering doubt in what numbers moviegoers will return to cinemas when we start to get the “all clear” sign by governments from around the world.
But here’s the good news. We are starting to see faint signs of hope on the horizon. The fact that studios are keeping their July and August releases on the schedule shows that they believe that moviegoing should be in a relatively fortuitous place by mid-late summer. Many ‘pundits’ who follow the film business are highly skeptical that films such as Tenet or Mulan will make their summer release dates but when you think about it there’s actually good reason for that glimmer of hope.
First, we have a population that has been sequestered in their homes and, gulp, hanging out with their families, for weeks now and are undoubtedly dying to get out to do something. Anything. People may not be ready to congregate with 80,000 of their closest friends at college football games or at stadium rock concerts but they may be more willing to head to movie theaters with 80-100 other people, especially if in-cinema social distancing measures remain in place or there is the available option to attend matinee shows which theoretically should have fewer patrons in attendance.
There is also the issue of ticket prices. Fans of concerts and live theater are undoubtedly going to be leery of dropping $100-200 for an upcoming show if there’s a chance that the virus returns in the fall or winter, as some predict, and events are once again canceled or postponed. It’s one thing to spend $10 for a movie ticket. It’s quite another to plunk down a rent payment for tickets to a concert that may not happen and if today’s cancelation clarification from Ticketmaster is any indication, concertgoers shouldn’t be looking to the ticketing giant for any kind of financial consideration.
‘Meet me at the multiplex.’ “WW84” – “Wonder Woman 1984” (Image Credits – WB)
The other thing to keep in mind is that a large percentage of people who buy tickets to shows and sporting events end up buying them ticket resale outlets at greatly inflated prices. Good luck getting your money back on those.
So yes, the movie industry as a whole, and the cinema industry specifically, are in very difficult straits. Some cinemas – large and small, are debating whether they’ll have the available cash to reopen. Those who do, however, might very well find themselves on the front line as the population starts to “toe dip” into the world of OOHE, or out of home entertainment. And studios are in a unique position where they can pivot quickly and actually move their release schedules forward if patrons start returning to cinemas in greater numbers than expected. Sporting events, concerts, live shows and the like don’t have that flexibility.
In addition, the move of tentpoles back to later in the year should provide independent studios such as Lionsgate, Focus, STX, and others the opportunity to grab summer playtime — albeit somewhat muted playtime — that they might not have enjoyed previously if the rest of the industry takes more of a wait-and-see approach.
Yes, there is a chance that moviegoers return slowly to cinemas but content consumers who are tired of streaming, terrestrial TV and their relatives could be salivating for any new content and their best bet would be a return to movie theaters. That doesn’t just apply to feature films but also to event cinema productions which may provide fans the opportunity to see concerts, filmed performances or events such as The Met opera, which they have been shut out of while they shelter in place, and at a fraction of the price. For fans of the band, Coldplay on screen is better than no Coldplay at all.
Not streaming to a device near you. “Tenet” – Only in Cinemas. (Image Credits – WB)
As well, this might also be the perfect time for studios and cinemas to come together on variable pricing plans. Luring moviegoers back to theaters with two-for-one deals or different levels of pricing for different films could be a welcome tonic for movie fans who might still be hesitant to return to cinemas or have been hard hit financially by COVID-19 yet still need a “night out” that won’t break the bank. Try getting that by buying a ticket to an Ed Sheeran concert or an Arsenal match.
The cinema industry hasn’t been a pretty sight these past several weeks and though we’ve seen articles galore about the plight of cinema chains we seem to have lost sight of the impact that coronavirus has had on individual movie theater workers, those employees who give up their Friday and Saturday nights, all for a poverty-level USD $15 an hour (if they’re lucky). Even if there’s precious little to play, cinemas will want to get their theaters open as quickly as it is safe to do so for several reasons, not the least of which is to rehire their workers in some form or fashion.
The good news is there is a light at the end of the tunnel and the movie industry is in a unique position to hold the lantern. There are still difficult times ahead but at least there is a path of opportunity that most other entertainment sectors simply don’t have.
See you at the movies. Hopefully soon.
Source – Celluloid Junkie (When We Return To “Normal,” the First Stop May Be The Movie Theatre)
Following a long-running history of successfully bringing legendary tales to life through animation and music, and hot off the heels of live-action remakes such as Dumbo, Aladdin and The Lions King in 2019, Disney is set to release the reboot of Mulan in March 2020.
Mulan – directed by Niki Caro, is the story of a young woman named Hua Mulan who risks everything out of love for her family and her country to become one of the greatest warriors China has ever known.
The remake will star Liu Yifei as the title character and since Disney premiered its teaser and official trailer, fans noticed some pretty big changes – General Shang, Shan Yu, or Mushu are no more!
The original animated movie was a musical, with characters singing songs throughout the story. According to Caro, there will also be no singing in this live-action adaptation, either.
Audiences in general can’t seem to get enough of Disney’s live-action remakes of classic animated films. They’re big, they’re colorful and most of them seem to be offering a new take on beloved characters.
Below are Worldwide Box Office figures for Disney’s most recent live-actions remakes:
Cinderella (2015) – Over US$534 Million
The Jungle Book (2016) – Over US$962 Million
Beauty and the Beast (2017) – Over US$1.26 Billion
Aladdin (2019) – Over US$1.05 Billion
The Lion King (2019) – Over US$1.65 Billion
The remake of the Chinese warrior is already poised to capture the hearts of audiences from around the world, and has broken a few records.
The official teaser trailer for Mulan logged an epic 175+ million views (globally) in its first 24 hours online, making it the 2nd ‘Most Viewed Debut Trailer’ for a Disney live-action adaptation. It is also the 7th ‘Most Watched Trailer’ of all-time behind Avengers: Endgame (trailer 1 & 2), Avengers: Infinity War (trailer 1 & 2), The Lion King (teaser trailer) and It (teaser trailer).
Watch the final trailer for Mulan:
Here’s why Mulan will be yet another Disney remake success:
A Symbol of ‘Girl Power’
Similar to other Disney movies, Mulan (1998) has not been forgotten and still gets heavy rotation in households all over the world. This means new generations have been introduced to the girl who dresses up like a guy to take her father’s place in the army. Hua Mulan battles it out with the enemies—more than once— then goes on to saving the kingdom, all while breaking free from the shackles of patriarchy. Little girls across the world love what Mulan represents – a young girl who fights for herself and never backs down.
Kids’ reviews of the original movie from 1998 reveals that little girls love what Mulan represents.
Here are some reviews from girls ages 11-13 on Common Sense Media:
“Mulan is an inspiration to me! The way she defeats the army and shows that women can do anything men can do really moves me. I also love her love interest, voiced by Donny Osmand. Mulan has violent scenes because it is war based and it might be scary for young children. Mulan was my first hero and I’m sure she inspires many other women.”
“Disney movies are usually stereotypical and about girls (meaning blonde blue eyed models) that fall in love and become princess with help from a magical beings. Not this girl! I love how Mulan fights for herself and never backs down … Mulan has good messages about that girls are strong and just as powerful as men. Every girl should see this movie at least once. One of my favorites. Really just an inspirational movie about girl power. Very good. Mulan is a true hero in my book.”
When it comes to the movie director, Niki Caro (The Zookeeper’s Wife) is at the center of this period-piece action fantasy. Caro is the second female director to be hired by Disney to direct a movie exceeding a $100 million budget following A Wrinkle in Time. Caro has a highly-impressive track record as a director and having a woman’s eye on a legendary female-fronted tale is a good move by the studio.
Speaking at the New Zealand Power of Inclusion Summit in 2019, Caro pointed out that Mulan is a landmark for representation not just for having a woman director, but also for having a female director of photography in Mandy Walker (Hidden Figures) and a female first assistant director, Liz Tan (Spider-Man: Homecoming, The Hobbit Trilogy).
‘Nostalgia’ a Magnet at Box Office
What makes Mulan an unforgettable character? Her brilliance, heart, and bravery are what made her a legend. Though she’s already smart and compassionate, Hua Mulan winds up becoming a fierce fighter in the Chinese army, learning to work on a team and independently. Honor and love for family were central to her journey. All of those elements are present in all versions of the film’s trailer.
Fans of Disney’s first version of Mulan are hyped about seeing a more realistic portrayal of the warrior’s story. She’s a favorite among Disney princesses and although the new film will be missing Mushu and its charming musical numbers, that won’t stop people from seeing it.
2020 Version Closer to the Original Story
When Disney released Mulan in 1998, it did not go over well with Chinese audiences. Part of that had to do with a lack of promotional activities in the country, but since the ‘90s, the Chinese box office has become a powerhouse for American films. Another reason it flopped was because of its storytelling. Various versions of Hua Mulan’s story have been told in Asian cinema for decades, but those were accepted since they focused on the original epic.
The BBC reports that Disney was extra careful with the story of Hua Mulan this time, using the 6th century ballad as its guiding light. This time, the storytelling will be more inclusive of traditional Chinese customs that were the norm at the time.
When the BBC examined how the trailer was received overseas, they mentioned the social media site, Weibo, where users posted comments such as: “Hua Mulan was the heroine who graced our storybooks in school. I’m happy that the trailer is setting her story up as more of a Chinese martial arts epic rather than an American cartoon.”
In spite of complaints about historical inaccuracies, the trailer has been well-received for Mulan, a film that’s shaping up to be a depiction of the legendary girl warrior who’s been celebrated for centuries. For many fans, March can’t come fast enough.
An All-Asian Star Cast
Not only is Mulan great for its strong female lead, but the 2020 version seems to have done justice by avoiding whitewashing. The live action remake is sticking to its plot and heritage, with casting focused on actors of Asian ethnicities who appeal to both Chinese and Western audiences.
After a team of Disney casting directors conducted a year-long search, traveling across five continents and auditioning nearly 1000 candidates, Liu Yifei was selected to play the role of Hua Mulan.
*Did you know – According to the cinematographer of the film, the battle sequences in Mulan were all done in front of the camera and Liu Yifei did 90% of her own stunts.
Donnie Yen has been cast as a fresh character named Commander Tung, who will serve as Hua Mulan’s mentor and teacher. Yen is best known for his role in Rogue One: A Star Wars Story (2012), the Ip Man films and Crouching Tiger, Hidden Dragon (2000).
Among the new characters introduced for this version of the film, the main antagonist in the movie is a powerful witch named Xian Lang, played by Li Gong. The actress also played the main villain in Memoirs of a Geisha (2005) to much acclaim. Her inclusion adds an element of magic to Mulan not seen before, perhaps creating new circumstances for the army.
Jason Scott Lee – best known for his portrayal of Bruce Lee in Dragon: The Bruce Lee Story (1993) and his voice role of David in Lilo & Stitch (2002) is also joining the movie as Bori Khan.
Jet Li has been casted by Disney as the Emperor of China in the upcoming live-action film. Li is one of the most prominent Chinese actors to grace Hollywood, starting with his debut in 1998’s Lethal Weapon 4. In the early ’00s he made a name for himself as a martial artist action hero, most recently appearing in The Expendables movies. Li and Liu Yifei have worked alongside each other before in The Forbidden Kingdom (2008).
Yoson An will play the role of Chen Honghui – Mulan’s rival and love interest, in 2020’s version the legendary tale.
Boxoffice Pro is projecting Mulan to make $40 – 60 million in its US opening, while Motivate Val Morgan forecasts over 520K admissions for the movie in the UAE.
Mulan is set to grace cinemas across the Middle East on 26th March, 2020. Contact us for cinema advertising opportunities alongside this MEGA Blockbuster.
Sources: Deadline, Forbes, Heroic Hollywood, The Hollywood Reporter, Cheat Sheet, The Numbers, Boxoffice Pro. and Wikipedia
4DX had its best year yet at Global Box Office in 2019, with CJ 4DPLEX – the company behind multi-sensory 4DX cinema technology, announcing it had a record-breaking year, grossing more than £246 million ($320 million) for 4DX worldwide.
Marking a 12% increase from 2018’s record of $286 million, it was the best year yet for the groundbreaking format. The uptick is partly credited to booming revenues in the U.S., where 4DX Box Office increased by 73% from 2018, while European markets grew by 17% from the previous year.
The announcement was further proof that a rising tide lifts all boats, after the global box office hit a record high in 2019, surpassing $42.5 billion. Overseas revenues also soared to new heights, topping $30 billion for the first time.
The trend toward premium and immersive cinema formats is helping to fuel this growth.
4DX provides cinema audiences a variety of special effects in cinemas, such as vibrating chairs, blowing winds, fog, and splashing water, through the use of specially designed in-theater technology.
Listed below are the 7 highest movies that smashed 4DX Box Office Records in 2019:
Avengers: Endgame – $34.4M
Aladdin – $25.9M
The Lion King – $23.2M
Frozen 2 – $18.8M
Fast & Furious Presents: Hobbs & Shaw – $16.9M
Captain Marvel – $14.0M
Spider-Man: Far From Home – $13.2M
The top 4DX markets – Japan, China, Korea, France, U.S, Mexico and United Kingdom – together account for more than 66% of the format’s total global box office takings in 2019. These markets broke records in attendance and global box office, surpassing the top seven record of 2018. Most of all, U.S. became the biggest grosser among seven countries as 4DX box office grew more than 73% in comparison to 2018.
The multi-sensory format and Cinema Advertising
4DX engages audiences to be part of the adventure whilst experiencing the entirety of virtual reality, and also offers advertisers an exciting format of cinema advertising – guaranteed to create greater brand impact.
Here’s an article with example 4D cinema campaigns booked through MVM:
Achieve Greater Brand Impact with 4D Cinema Advertising
Break through the confines of advertising and explore the possibility of aligning your brand with a movies scheduled to release in 4DX format across the Middle East.
Mulan
No Time to Die
Black Widow
F9
Wonder Woman 1984
Top Gun: Maverick
Ghostbusters: Afterlife
Jungle Cruise
The King’s Man
Contact us for 4D cinema advertising opportunities across the Middle East.
Sources: Digital Cinema Report and PR News Wire
The Super Bowl is an annual sporting event for die-hard football fans, general sports enthusiasts and businesses.
It is one of the the most-watched program on television in the United States and the second most-watched program worldwide, uniting all things pop culture – sports, music, movies and ads, all vying for attention and February fame.
For years, film studios pay millions of dollars to secure a chance to get as many eyes as possible on the latest upcoming movies, while advertisers throw as much for a 30-second spot to air commercials as a means of building awareness for their products and services.
Commercials played during the Super Bowl have also developed a reputation for being memorable, funny and clever, with people who are not interested in the game tuning in during breaks to solely watch the commercials.
This year’s ad bowl was once again just as intense as the match on the field – featuring familiar names and a few new ones, including Facebook’s first big game spot. According to analytics firm Kantar, it was the largest ever in terms of in-game ad spend, with marketers spending an estimated $435 million, and interestingly, according to Bain, the percentage of spots including women was up 90% from 74% last year.
Here’s some of the most trending content from Super Bowl 2020:
Movie Trailers
Mulan
Release Date: March 26, 2020
No Time To Die
Release Date: April 2, 2020
Black Widow
Release Date: April 30, 2020
Fast and Furious 9
Release Date: May 21, 2020
Top Gun: Maverick
Release Date: June 25, 2020
Click here to check out other movie trailers that aired during Super Bowl 2020
Commercials
Amazon
Amazon’s spot – starring celebrity couple Ellen DeGeneres and Portia de Rossi, imagines what life was like without Alexa. According to Google, it was the most-watched Super Bowl commercial as of 10pm on game day, and according to Brandwatch, it had more than 39,000 mentions online as of 10:15pm.
Google’s tearjerker about its virtual assistant helping a man remember his late wife was the most effective ad, according to Unruly.
Nearly half of survey respondents had an intense emotional reaction to “Loretta,” and the ad scored 6.5 out of 10. It also had more than 121,000 online mentions, per Brandwatch, with 10,000 of those mentions coming within two minutes of the ad airing.
Jeep
According to Talkwalker, Jeep’s recreation of ‘Groundhog Day’ – featuring Bill Murray, got more than 47,000 online mentions, accounting for nearly 6% of the entire conversation around the Super Bowl.
It also received a score of 5.2 from System1, which rates ads from 1 to 5.9 based on the emotional resonance they garner to predict long-term growth potential for the brand.
Microsoft
Microsoft’s Super Bowl ad featured the first female – and openly LGBTQ – coach to ever be in the NFL championship game.
The ad elicited intense emotional engagement from 47% of Unruly’s survey audience – obtaining a score of 5.7, and got 5.3 stars from System1.
Olay
Olay’s all-female Super Bowl spot featured successful women asking “Is there enough space in space for women?” and pledged to donate $1 to Women Who Code for every tweet directed @OlaySkin with the hashtag #MakeSpaceforWomen.
Olay captured nearly 20% of the conversation around the Super Bowl, according to Talkwalker. The hashtag #MakeSpaceForWomen was being used even before the game, but spiked again during the broadcast.
Benjamin Hordell, partner at ad agency DXAgency, called it “the best social integration,” saying that “incentivizing the tweet was a nice way to make it happen.”
Click here to check out other leading brand commercials that aired during Super Bowl 2020
Sources: Adweek, Digital Trends, Screen Rant, Business Insider, Wonderopolis and The Drum
Women – directors and actors, are set to take charge of Hollywood in 2020!
According to World Economic Forum, the number of women behind the camera on Hollywood movies jumped to record levels in 2019, with 12 directing top-grossing films including Frozen II, Captain Marvel and Hustlers.
Additionally, a study by the Annenberg Inclusion Initiative at the University of Southern California found that women made up 10.6% of directors of the top movies last year, more than double the percentage in 2018 and the highest percentage of female directors in the past decade.
2020 is already off to a good start with five of the year’s most anticipated blockbusters – Bird of Prey, Mulan, Black Widow, Wonder Woman 1984 and Eternals – all directed by women.
Birds Of Prey
Director: Cathy Yan
Release Date: February 6, 2020
Birds of Prey, will be DC’s first venture in 2020 and the first movie from the studio to come after Todd Phillips’ acclaimed Joker movie. The movie stars Margot Robbie – reprising her famous role of Harley Quinn, and will feature a few other leading ladies such as Mary Elizabeth Winstead, Jurnee Smollett-Bell and Rosie Perez (to name a few).
Mulan
Director: Niki Caro
Release Date: March 26, 2020
Disney’s next live action remake will not be a musical and is missing the indestructible Mushu in its first trailer. However, audiences need not fret, as this version of Mulan from Niki Caro is paving its own path and staying clear of mimicking the 1998 animated classic.
Black Widow
Director: Cate Shortland
Release Date: April 30, 2020
One of Marvel’s big releases this year will be by a female director – Cate Shortland, and follows a leading superhero – Natasha Romanoff (also known as Black Widow) played by Scarlett Johansson. Black Widow’s solo movie has been a long time coming as a result of Scarlett Johansson’s character being a popular in the Avengers series. The story of Natasha Romanova should give audiences a real chance to see her in action and outside the realm of an ensemble movie.
Wonder Woman 1984
Director: Patty Jenkins
Release Date: June 4, 2020
As a sequel starring a popular DC comics character, it’s no real surprise that Wonder Woman 1984 – directed by yet another leading female director Patty Jenkins, is topping the list of most anticipated movies in 2020. Gal Gadot will also be back to reprise her role of Diana Prince, with Kristen Wiig taking on the role of Barbara Minerva (better known as Cheetah) – the archenemy of Wonder Woman.
Eternals
Director: Chloé Zhao
Release Date: October 29, 2020
In April 2018, Marvel Studios announced that they will be developing a film based on the Comic book series Eternals. Directed by Chinese film director Chloé Zhao – known for The Rider, the film will star leading female actresses such as Angelina Jolie, Salma Hayek and Gemma Chan, alongside Game of Thrones’ Kit Harington and Richard Madden. The Eternals are immortal aliens who should possibly offer much to the cosmic side of Marvel’s Phase Four.
According to a list of the most anticipated movies of 2020 by Fandango, around half will be led by women. It’s also worth pointing out that from this list, the top four movies are female-directed.
Visit the Movie Planner section of our website to watch trailers of other upcoming movies in 2020.
Sources: Variety, World Economic Forum and Fandango.
Disney’s record-setting year at the box office simply won’t quit until the calendar rolls over. As the year comes to a close, Disney has remained king of the 2019 worldwide box office, producing eight out of the year’s 10 highest-grossing films.
Star Wars: The Rise of Skywalker hit cinema screens the past weekend and had a strong opening at $175.5 million in the United States. While that’s not as large as The Force Awakens (2015) or The Last Jedi (2017), it’s still going to make the movie a huge hit for Disney, giving them another spot in the top ten highest-grossing US releases of 2019 – edging out Jordan Peele’s acclaimed Us, which grossed $175.05 million at the box office in the United States earlier this year. As such, Disney has produced eight of this year’s top ten, which is a truly unprecedented level of success.
With the success of numerous films including Avengers: Endgame, Aladdin and Toy Story 4 earlier this year, Disney has been growing at an astonishing rate and has earned a record-setting $10 billion at worldwide box office. The recent growth in success of Disney shouldn’t come as a surprise, given that the studio has always been a prominent player in the entertainment industry and has also begun to buy and consume its competition over the last couple of years.
The following 2019 movies also sit in the top ten, all of which were produced by Disney:
Avengers: Endgame
Worldwide Box Office: $2,797,800,564
The Lion King
Worldwide Box Office: $1,656,313,097
Toy Story 4
Worldwide Box Office: $1,073,394,813
Captain Marvel
Worldwide Box Office: $1,128,274,794
Spider-Man: Far From Home
Worldwide Box Office: $1,131,927,996
*Disney’s Marvel Studios produced Spider-Man: Far From Home while Sony handled distribution. Therefore, the film’s box office earnings doesn’t technically count towards Disney’s total for the year.
Frozen II
Worldwide Box Office: $1,165,209,889 (to date as the film is still screening in cinema)
Aladdin
Worldwide Box Office: $1,050,693,953
The only non-Disney movies to crack the top 10 in North America this year were Joker ($333.3 million) and IT Chapter Two ($211.5 million) – both titles produced by Warner Bros.
Disney has officially become the first studio in history to bring in $10 billion at the box office in a single year, and that total doesn’t count Spider-Man: Far From Home, nor does it account for the Fox titles the studio distributed following the $71.3 billion merger of the two companies earlier this year. Thus, Disney has han alarmingly good year and the competition is, without doubt, struggling to accomplish even a fraction of that success financially.
Disney’s 2020 release schedule is far less packed with anticipated movies. However, there are a few major titles including a live-action adaptation of Mulan and Black Widow and The Eternals from Marvel.
Watch trailers:
Mulan:
Black Widow:
Disney’s box office dominance is poised to continue in the new decade, as they will now be in full control of Fox content moving forward, with X-Men and Fantastic Four being two example franchises that can be used for further financial wins.
Contact a member of our sales team for cinema advertising opportunities alongside Disney Blockbusters in the upcoming year!
Sources: The Verge, CinemaBlend and The Numbers.
