CinemaCon 2022 took place between 25 – 28 April 2022 at Caesars Palace in Las Vegas.
CinemaCon, the annual convention organized by the National Association of Theatre Owners, is back after a cancelled 2020 edition and a muted 2021 affair.
Only eight months ago, the movie theater industry congregated at Caesars Palace in Las Vegas. The previous edition took place at a time when the cinema industry was in constant flux, with fewer overseas delegates, pre-recorded studio presentations, and a low turnout on the trade show floor.
The industry has made great strides since CinemaCon 2021, after a string of box office successes – Spider-Man: No Way Home, The Batman, Venom: Let There Be Carnage, Shang-Chi and the Legend of the Ten Rings, and a far more stabilized movie release calendar, which have given cinema owners the foundation to pursue a serious recovery. The worst looks to be behind movie owners around the world, with theatrically exclusive films returning to big screen and recent box office figures suggesting that viewers are returning to the medium.
Here’s a look at the biggest studio announcements from the largest annual gathering of the motion picture industry:
Sony Pictures:
Sony opened the studio presentations at CinemaCon 2022 with a victory lap. Tom Rothman, chairman and CEO of Sony Pictures Entertainment, who energized the studio’s 2021 showcase to exhibitors by expressing a strong commitment to theatrical exclusivity.
Sony Pictures Entertainment has earned a whopping $3.3 billion in global box office since their last appearance in CinemaCon, only eight months back.
The studio’s 2022 presentation began with an extended look at the upcoming comedy-action caper Bullet Train (July 29) and continued its presentation further with the new looks of Where the Crawdads Sing (July 15) and The Woman King (September 16), original titles the studio believes will help balance the tentpole-heavy release schedule of the coming months.
Warner Bros.:
Warner Bros. started the presentation at CinemaCon 2022 by unveiling an early first look at footage from The Flash.
The major announcement of the evening was confirmation from studio chairman Toby Emmerich that director Matt Reeves and star Robert Pattinson would be coming back for another installment of The Batman.
Fans also caught the first glimpse of Margot Robbie in the starring role for Barbie, now scheduled for a July 21, 2023 release.
Director Baz Luhrman gave an enthusiastic introduction to footage from his upcoming Elvis, scheduled for a June 24 release, the film will confront the challenge of re-engaging older moviegoers.
Other non-franchise Warner Bros. titles featured in the presentation include the Timothy Chalamet musical Wonka (Christmas 2023), Olivia Wilde’s Don’t Worry, Darling starring Florence Pugh (September 23), and the Stephen King adaptation Salem’s Lot (September 9).
Warner Bros.’ focus on original titles didn’t overshadow the other DC Comics properties on its schedule. Their CinemaCon presentation included advance looks at Shazam! Fury of the Gods (December 16), Aquaman: The Lost Kingdom (March 17, 2023), DC League of Super-Pets (July 29), and Black Adam (October 21).
Disney:
Marvel Studios president Kevin Feige opened the ceremony introducing a 20-minute clip of Doctor Strange in the Multiverse of Madness. Marvel titles have been a financial lifeline for the industry since cinemas reopened with titles like Black Widow, Shan-Chi and the Legend of the Ten Rings, The Eternals, and Spider-Man: No Way Home.
The CinemaCon 2022 audience also enjoyed a 30-minute look at Lightyear, the first Pixar title to hit theaters since Onward.
Disney turned the rest of the presentation over to its 20th Century Studios division, where audiences got a first look at footage of David O. Russell’s Amsterdam (November 4). The title promises to be a star-studded big screen experience driven by leads Christian Bale, Margot Robbie, and John David Washington.
Six minutes of The Bob’s Burgers Movie (May 27) also screened for the audience, emerging as a promising counter-programming option set to open alongside Top Gun: Maverick over Memorial Day weekend.
Producer Jon Landau came on stage to share Disney’s biggest announcement of the morning. Avatar 2, now titled Avatar: The Way of Water, will stick to its December 16 release date.
Universal Studios:
Universal Studios’ presentation represented with footage from Jordan Peele’s Nope (July 22), David Gordon Green’s Halloween Ends (October 14), and the Blumhouse evil robot thriller M3gan (January 13, 2023).
Highlights from the showcase also included enthusiastic responses from exhibitors for comedies Easter Sunday (August 5), Minions: The Rise of Gru (July 1), and Bros (September 30). Universal’s presentation closed with legacy cast members of Jurassic World: Dominion introducing a trailer for the film ahead of its June 10 release.
Focus Features:
Focus Features president Lisa Bunnell introduced footage from several upcoming titles. Focus will bring a diverse slate to theaters in 2022 that includes movies like Downton Abbey: A New Era (May 18) and Mrs. Harris Goes to Paris (July 15), genre plays like action-comedy flick Violent Night (December 2), and dramas like James Gray’s Armageddon Time.
Neon:
Neon showcased footage from a trio of its own titles to complement the week’s tentpole-driven presentations. David Cronenberg’s Crimes of the Future (June 3) is sure to make audiences squirm as the legendary director returns to his roots in body horror.
Lionsgate:
Lionsgate showcased upcoming comedy About My Father. The Studio also revealed never before seen footage of a slate that balances original films like coming-of-age comedy Are You There God? It’s Me, Margaret and horror flick The Devil’s Light with established action franchises like John Wick Chapter 4 and The Expendables 4.
The studio is also building spin-off series based on successful films. The drama White Bird will act as a sort of spiritual prequel to Lionsgate’s 2017 hit Wonder, while Ballerina will give star Anna de Armas her own series in the John Wick universe.
The CinemaCon 2022 audience caught their first glimpse of the video game adaptation Borderlands and a new Dirty Dancing movie heralding the return of original star Jeniffer Grey.
The big news from the Lionsgate showcase came in the final moments of the presentation with the announcement of a new Hunger Games prequel dated for November 17, 2023. The Hunger Games: The Ballad of Songbirds and Snakes could provide a return to major global grosses for Lionsgate, which has played a larger role with mid-range titles since the Hunger Games series concluded in 2015.
Paramount Pictures:
Paramount Pictures kept most of the focus of its CinemaCon 2022 presentation on Top Gun: Maverick, which got its first public screening at the Las Vegas gathering Thursday.
The studio still had a few other big announcements to make. Among them were two title announcements for Paramount’s biggest franchises: Mission: Impossible and A Quiet Place. The seventh M:I film will be titled Mission: Impossible — Dead Reckoning: Part One while the upcoming “Quiet Place” spinoff from director Michael Sarnoski will be called A Quiet Place: Day One. Both films are set for release in 2023.
Source: Boxoffice Pro
The 10th installment of CinemaCon, the largest annual gathering of the motion picture industry, took place between 23 – 26 August 2021 at Caesars Palace in Las Vegas.
CinemaCon is a global event that attracts delegates from more than 80 countries across the cinema industry, including studios, distributors, exhibitors and content creators.
Whilst the scale of the event was nowhere close to previous editions, mainly due to COVID-19 related travel restrictions, the show did go on, with studios setting the stage for their upcoming movies and giving the industry hope, confidence and a clear message that cinema is here to stay.
Here’s a roundup of studio announcements at CinemaCon 2021:
This year’s event enumerated blockbusters such as F9, Godzilla vs. Kong, A Quiet Place Part II and Cruella as the major drivers behind the extraordinary resurgence of the cinema industry, due to their encouraging box office figures. However, the highlight of the show included the preview of upcoming tentpoles by major studios, while it was announced that most of the preview films will be exclusive theatre releases.
This edition of CinemaCon also featured some discussions on the industry’s challenges coming out of the pandemic. Patty Jenkins, director of ‘Wonder Woman 1984’, emphasized that day-and-date” release is a “heartbreaking experience”. “I’m not a fan of day-and-date, and I hope to avoid it forever,” stated the filmmaker, expressing her strong preference of maintaining an exclusive theatrical window for all her upcoming films. “I don’t understand why we’re talking about throwing (the big-screen experience) away for 700 different streaming services that there’s no room for in the marketplace. It’s crazy to me,” said Jenkins. “One studio should plant a flag and make a huge move just for the theatrical experience, and the filmmakers will go there as a result”
The Chairman and CEO of Sony Pictures also slammed day-and-date releases, pointing to the success of Free Guy at box office, and stated that such ‘terrific’ movies are not meant to be watched at home.
The next edition of CinemaCon is scheduled to be held between 25 – 28 April 2022.
Sources: CinemaCon and Box Office Pro
Over-taking the benchmark blockbuster Godzilla vs. Kong, F9 has zoomed its way to the top of Box Office within its first week of release!
The ninth installment in Universal’s Fast and Furious franchise – F9, clocked in the biggest international debut for a Hollywood title since the pandemic, garnering a total of $162.4 million across eight overseas markets in its first weekend of release – nearly doubling Godzilla vs. Kong‘s debut in those markets.
Here’s a detailed look at how successful the blockbuster has been in its opening weekend thus far:
F9 is set to release in a total of 62 markets throughout the rest of the summer, but won’t be releasing until it reaches Australia on June 17, followed by UK and US on June 24 and 25 respectively, and a host of key European markets in July.
Unlike most other blockbusters that have committed to a hybrid release format due to the pandemic – cinema and streaming platforms, F9 will solely release in cinemas.
Owing to the record-breaking collections of Godzilla vs. Kong and F9, upcoming blockbusters are anticipated to follow similar patterns and garner similar attention from audiences and shine at Box Office. Contact us to plan ahead and place your brand alongside upcoming blockbusters to reach your optimal audience.
Sources: Box Office Pro, Deadline,Variety, Screenrant and First Post
Wonder Woman 1984 to release on August 14, 2020 (worldwide)
The coronavirus crisis has hit the entertainment industry hard, with many film and TV projects forced to make some drastic decisions in recent weeks.
If you’re anything like us, having witnessed Diana Prince’s epic sprint through the bleak and hellish emptiness of no man’s land, you are even more desperate for more from the DC’s iconic goddess. But, it seems like all of us will have to wait a little longer to see Wonder Woman in action again!
Wonder Woman 1984 was initially set to release in early June, but has now been postponed until August 2020, and despite the rumours you might have heard, both Warner Bros. and director Patty Jenkins assures fans the now-delayed DC film will be released in cinema and not via VOD/streaming platforms.
In a tweet posted following news of the film’s delay, Jenkins declared, “We made Wonder Woman 1984 for the big screen and I believe in the power of cinema.” She then reiterated that Wonder Woman 1984’s new release date is August 14, and that she prays for “better times for all by then.”
Most delayed movies currently plan to arrive in cinema at some point, though Universal decided to forgo its theatrical run of Emma, The Invisible Man, The Hunt and Trolls World Tour – releasing then directly on VOD. Some fans have called for other films to do the same as Universal in order for them to have access to more entertainment while in lockdown and quarantine at home, but no other movies have taken that route.
Jenkins also stressed that many cinemas are struggling to cope with their shutdowns, something that has been echoed by other directors. Christopher Nolan and Edgar Wright are among those who have encouraged support for cinemas during this time, either by buying memberships or through governmental assistance. In recent days, directors have championed the theatrical experience as more and more people rely on streaming services to keep them occupied.
Sources: Screenrant, World of Reel, Twitter and Techradar
