Setting a pandemic box office record, Black Widow opened with a whopping $218.8 million globally on its first weekend!
Marvel Studios’ latest production, Black Widow, surpassed all predictions for its opening weekend, collecting US$218.8 million globally. Crossing F9’s debut of US$162.4 million across eight overseas markets in its first weekend of release, Black Widow had a theatrical release in 41 international markets along with a simultaneous OTT release.
Here’s a closer look at the movie’s performance at box office:
Although Black Widow is yet to release in China, the biggest Marvel market in the world, it is performing exceptionally at worldwide Box Office, despite having a simultaneous OTT release.
Following a similar pattern of previously released blockbusters within the first half of this year, namely Godzilla vs. Kong, Mortal Kombat, F9 and now Black Widow, upcoming blockbusters are anticipated to follow a similar pattern, garner similar attention from audiences and shine at box office.
Contact us to showcase your brand alongside highly anticipated upcoming blockbusters namely – Suicide Squad (August), Free guy (August), Shang-Chi and the Legend of the Ten Rings (September), Venom: Let There Be Carnage (September), Dune (September), No Time to Die (October), Eternals (November), Top Gun: Maverick (December) and Spiderman: No Way Home (December).
Sources: Deadline, Variety and Box Office Mojo
Over-taking the benchmark blockbuster Godzilla vs. Kong, F9 has zoomed its way to the top of Box Office within its first week of release!
The ninth installment in Universal’s Fast and Furious franchise – F9, clocked in the biggest international debut for a Hollywood title since the pandemic, garnering a total of $162.4 million across eight overseas markets in its first weekend of release – nearly doubling Godzilla vs. Kong‘s debut in those markets.
Here’s a detailed look at how successful the blockbuster has been in its opening weekend thus far:
F9 is set to release in a total of 62 markets throughout the rest of the summer, but won’t be releasing until it reaches Australia on June 17, followed by UK and US on June 24 and 25 respectively, and a host of key European markets in July.
Unlike most other blockbusters that have committed to a hybrid release format due to the pandemic – cinema and streaming platforms, F9 will solely release in cinemas.
Owing to the record-breaking collections of Godzilla vs. Kong and F9, upcoming blockbusters are anticipated to follow similar patterns and garner similar attention from audiences and shine at Box Office. Contact us to plan ahead and place your brand alongside upcoming blockbusters to reach your optimal audience.
Sources: Box Office Pro, Deadline,Variety, Screenrant and First Post
One of the most anticipated blockbusters of this year – Godzilla vs. Kong, has been a huge hit in every market it opened, pulling in a record setting US$ 141.7 million overseas. The film opened in 38 different international markets, with China accounting for US$ 99 million over eight days – the country’s largest box-office debut in nearly two years.
With international audiences flocking to movie theaters once again, the U.S. box office too made its triumphant return with the blockbuster earning a thumping US$ 27.9 million in North America in just three days of its release (31 March 2021). In the UAE, the blockbuster garnered an astounding 138,000 admissions in its first four days, with a US$ 1.9 million weekend total – far more than any film has managed since the pandemic began. Saudi Arabia was right behind the UAE with 76,000 admissions for the feature.
The film has also been a hit with critics, currently sitting at 81 per cent on Rotten Tomatoes with 118 reviews counted.
The record COVID-era opening of Godzilla vs. Kong is especially encouraging since Netflix made headlines for paying nearly US$ 450 million to acquire the rights for two sequels to Knives Out. Key tests ahead for global cinema are A Quiet Place Part II (Paramount) and F9 (Universal) – set for international release on 28 May and 25 June respectively, both of which are initially theater exclusives.
Recent hits such as Tom & Jerry and Raya and the Last Dragon also opened in the 20,000 admissions range in the UAE. Open for seven weeks now in the, Tom & Jerry has totaled over 150,000 admissions – an impressive achievement for the animated/live action hybrid, while the Malayalam film The One also opened with 20,000 admissions, all of which indicate that business is back in a big way in the UAE.
Upcoming blockbuster releases across the Middle East include: Mortal Kombat (8 April), Free Guy (20 May), Cruella (27 May), Luca (17 June), F9 (24 June), Top Gun: Maverick (1 July), Black Widow (8 July), Jungle Cruise (29 July), The Suicide Squad (5 August), The Boss Baby: Family Business (16 September), Dune (30 September), Spider-Man: No Way Home (17 December) and The King’s Man (22 December).Advertisers, mark your return to the BIG SCREEN in a BIG WAY!
Contact us for cinema advertising opportunities alongside the above mentioned blockbusters.
Sources: The Numbers, Esquire Middle East, Collider, Forbes and IMDb
With a movie budget of USD 4.83 million, Roohi is Bollywood’s first big film this year
Due to the on-going COVID-19 pandemic, last year witnessed a majority of Bollywood blockbusters either pushing their release dates, or releasing on OTT platforms. Indian blockbusters such as Gunjan Saxena: The Kargil Girl, Dil Bechara and Shakuntala Devi opted for the later in 2020, with Laxmii featuring Akshay Kumar being the only Bollywood blockbuster to release in hybrid format – Disney+Hotstar release in India and a simultaneous theatrical release in Australia, New Zealand, Fiji, Papua New Guinea and UAE. The theatrical release of Laxmii was successful, especially in the UAE where it made a total of USD 200,000, but the latest horror comedy film Roohi – by director Hardik Mehta, which went straight to cinemas both locally and internationally, has taken the top spot at box office since the pandemic, with a collection of USD 345,000 on its first day in India – despite most theatres still operating between 50-75% occupancy. According to boxofficeindia.com, its total collection thus far has been USD 2.26 million domestically, and USD 150,000 internationally.
#Roohi is looking at approx ₹ 17.50 cr total in its *extended* Week 1… A respectable number, in view of the #Covid scenario… Thu 3.06 cr [#MahaShivratri], Fri 2.25 cr, Sat 3.42 cr, Sun 3.85 cr, Mon 1.35 cr, Tue 1.26 cr, Wed 1.22 cr. Total: ₹ 16.41 cr. #India biz.
— taran adarsh (@taran_adarsh) March 18, 2021
As stated by Chauhan, a local exhibitor from Bihar, India: “Before Roohi‘s release, we would have no idea how much a film would do in these pandemic times. We would look at each other’s faces wondering how much a film would earn at the box office. But now we have a benchmark. And Bollywood needed this dose of confidence.”
Girish Johar, film producer and trade business analyst, pointed out that Roohi has witnessed a good response at the box office despite being one of the first big Indian films to release post theaters being opened. With Roohi seeing strong footfalls, exhibitors in India are now hopeful for business to slowly get back on track.
Roohi‘s opening day numbers will set the stage for the extensive line up of highly anticipated Bollywood blockbusters set to hit the big screen in 2021, including Mumbai Saga (March), Bunty Aur Babli 2 (April), Sooryavanshi (April), Radhe (May), Bell Bottom (May), 83 (June), Maidaan (October) and Laal Singh Chaddha (December) among others.
Click here to access a list of Indian Movies set to release in 2021, and contact us to advertise your brand alongside these upcoming blockbusters
Sources: Business Today, Box Office India, Forbes, Times of India and ABP Live
4DX had its best year yet at Global Box Office in 2019, with CJ 4DPLEX – the company behind multi-sensory 4DX cinema technology, announcing it had a record-breaking year, grossing more than £246 million ($320 million) for 4DX worldwide.
Marking a 12% increase from 2018’s record of $286 million, it was the best year yet for the groundbreaking format. The uptick is partly credited to booming revenues in the U.S., where 4DX Box Office increased by 73% from 2018, while European markets grew by 17% from the previous year.
The announcement was further proof that a rising tide lifts all boats, after the global box office hit a record high in 2019, surpassing $42.5 billion. Overseas revenues also soared to new heights, topping $30 billion for the first time.
The trend toward premium and immersive cinema formats is helping to fuel this growth.
4DX provides cinema audiences a variety of special effects in cinemas, such as vibrating chairs, blowing winds, fog, and splashing water, through the use of specially designed in-theater technology.
Listed below are the 7 highest movies that smashed 4DX Box Office Records in 2019:
Avengers: Endgame – $34.4M
Aladdin – $25.9M
The Lion King – $23.2M
Frozen 2 – $18.8M
Fast & Furious Presents: Hobbs & Shaw – $16.9M
Captain Marvel – $14.0M
Spider-Man: Far From Home – $13.2M
The top 4DX markets – Japan, China, Korea, France, U.S, Mexico and United Kingdom – together account for more than 66% of the format’s total global box office takings in 2019. These markets broke records in attendance and global box office, surpassing the top seven record of 2018. Most of all, U.S. became the biggest grosser among seven countries as 4DX box office grew more than 73% in comparison to 2018.
The multi-sensory format and Cinema Advertising
4DX engages audiences to be part of the adventure whilst experiencing the entirety of virtual reality, and also offers advertisers an exciting format of cinema advertising – guaranteed to create greater brand impact.
Here’s an article with example 4D cinema campaigns booked through MVM:
Achieve Greater Brand Impact with 4D Cinema Advertising
Break through the confines of advertising and explore the possibility of aligning your brand with a movies scheduled to release in 4DX format across the Middle East.
Mulan
No Time to Die
Black Widow
F9
Wonder Woman 1984
Top Gun: Maverick
Ghostbusters: Afterlife
Jungle Cruise
The King’s Man
Contact us for 4D cinema advertising opportunities across the Middle East.
Sources: Digital Cinema Report and PR News Wire
Disney’s record-setting year at the box office simply won’t quit until the calendar rolls over. As the year comes to a close, Disney has remained king of the 2019 worldwide box office, producing eight out of the year’s 10 highest-grossing films.
Star Wars: The Rise of Skywalker hit cinema screens the past weekend and had a strong opening at $175.5 million in the United States. While that’s not as large as The Force Awakens (2015) or The Last Jedi (2017), it’s still going to make the movie a huge hit for Disney, giving them another spot in the top ten highest-grossing US releases of 2019 – edging out Jordan Peele’s acclaimed Us, which grossed $175.05 million at the box office in the United States earlier this year. As such, Disney has produced eight of this year’s top ten, which is a truly unprecedented level of success.
With the success of numerous films including Avengers: Endgame, Aladdin and Toy Story 4 earlier this year, Disney has been growing at an astonishing rate and has earned a record-setting $10 billion at worldwide box office. The recent growth in success of Disney shouldn’t come as a surprise, given that the studio has always been a prominent player in the entertainment industry and has also begun to buy and consume its competition over the last couple of years.
The following 2019 movies also sit in the top ten, all of which were produced by Disney:
Avengers: Endgame
Worldwide Box Office: $2,797,800,564
The Lion King
Worldwide Box Office: $1,656,313,097
Toy Story 4
Worldwide Box Office: $1,073,394,813
Captain Marvel
Worldwide Box Office: $1,128,274,794
Spider-Man: Far From Home
Worldwide Box Office: $1,131,927,996
*Disney’s Marvel Studios produced Spider-Man: Far From Home while Sony handled distribution. Therefore, the film’s box office earnings doesn’t technically count towards Disney’s total for the year.
Frozen II
Worldwide Box Office: $1,165,209,889 (to date as the film is still screening in cinema)
Aladdin
Worldwide Box Office: $1,050,693,953
The only non-Disney movies to crack the top 10 in North America this year were Joker ($333.3 million) and IT Chapter Two ($211.5 million) – both titles produced by Warner Bros.
Disney has officially become the first studio in history to bring in $10 billion at the box office in a single year, and that total doesn’t count Spider-Man: Far From Home, nor does it account for the Fox titles the studio distributed following the $71.3 billion merger of the two companies earlier this year. Thus, Disney has han alarmingly good year and the competition is, without doubt, struggling to accomplish even a fraction of that success financially.
Disney’s 2020 release schedule is far less packed with anticipated movies. However, there are a few major titles including a live-action adaptation of Mulan and Black Widow and The Eternals from Marvel.
Watch trailers:
Mulan:
Black Widow:
Disney’s box office dominance is poised to continue in the new decade, as they will now be in full control of Fox content moving forward, with X-Men and Fantastic Four being two example franchises that can be used for further financial wins.
Contact a member of our sales team for cinema advertising opportunities alongside Disney Blockbusters in the upcoming year!
Sources: The Verge, CinemaBlend and The Numbers.
Indian language movies have come a long way over the last few years!
From their initial standard three hour long flicks featuring action-packed drama, tears, catchy and sing-along songs, extravagant dancing and colourful traditional costumes – being produced solely for domestic consumption, to having varied time lengths dictated by their content, and witnessed across the globe in countries such as United States, Canada, Australia, Taiwan, China, Russia, Turkey – in either their original form with subtitles or dubbed versions of its original form.
Movies from India are no longer restricted to Bollywood which produces movies solely in the national language (Hindi). India, in line with the varied languages and dialects in the country, is also home to other powerhouse movie industries such as:
Bollywood – Mumbai-based Hindi language film industry, India
Pollywood – Punjabi language film industry in India and Pakistan
Bhojiwood – Film industry of Bihar and Uttar Pradesh, India in Bhojpuri language
Chhollywood – Chhattisgarhi language film industry based in Chhattisgarh, India
Tollywood – Bengali film industry in West Bengal, India/Telugu film industry in Andhra Pradesh and Telangana
Kollywood – Tamil language film industry, based in Chennai, India./Nepal’s film industry
Mollywood – Malayalam film industry in Kerala, India
Sandalwood – Kannada language film industry in Karnataka, India.
Jollywood – Assamese language film industry in Guwahati, Assam
Ollywood – Film industry of Orissa, India in Oriya language
The Indian-film industry also comprises of globally recognized actors and actresses who are passionately dedicated to provide the best of their skills and talent to the industry:
Bollywood
Amitabh Bachchan, Salman Khan, Shahrukh Khan, Aamir Khan, Akshay Kumar, Ranveer Singh, Priyanka Chopra, Deepika Padukone and Katrina Kaif
Kollywood
Rajinikanth, Vijay, Ajith Kumar and Nayanthara
Tollywood
Mahesh Babu, Prabhas, Anushka Shetty and Rakul Preet Singh
As a result of these film stars having huge fan-followings from around the world, they too have helped attract large audiences to watch Indian movie releases in cinema.
A recent report by PWC indicates that Bollywood is set to become the third largest cinema market in the world.
In recent years, there have been numerous Indian language movies that have done relatively well at the worldwide box office:
Bollywood movies easily make up the second largest watched language in the UAE – with some blockbusters raking in 300,000 plus admissions. Other Indian language movies – which include Malayalam, Tamil and Telugu, have also gained massive popularity and acceptance in accordance with Hindi movies.
Below is analysis conducted by Motivate Val Morgan on Indian language movie releases across the Middle East in 2018:
In October 2019, Motivate Val Morgan – in collaboration with Murdoch University Dubai, also conducted cinema research in the UAE in the form of questionnaires and video interviews at VOX Cinemas – City Centre Deira and Burjuman (two prominent locations for Asian movie audiences).
The objective of this research project was to understand cinemagoing habits of Asian audiences and measure the effectiveness of cinema advertising alongside Indian language movies..
As the research above indicates:
Here’s a line-up of Indian language movies scheduled to release over the months ahead:
December 2019
Pati Patni Aur Woh (Hindi)
Panipat (Hindi)
Mardaani 2 (Hindi)
Good Newwz (Hindi)
Mamangam (Malayalam)
January 2020
Tanhaji: The Unsung Warrior (Hindi)
Darbar (Tamil)
Ala Vaikunthapurramloo (Telugu)
Sarileru Neekevvaru (Telugu)
Street Dancer 3D (Hindi)
Don’t miss out on targeting large Asian movie loving audiences. Contact us for cinema advertising opportunities alongside the movies mentioned above!
Sources: Wikipedia, WARC, MVM Analysis, MVM Research and IMDb
